Writers’ Panel: Talking Nonfiction & Incorporating the Day’s News Into One’s Writing

 

Bay Path University played host to its 16th Writers’ Day this past weekend, as scribes talked about how to effectively read one’s work aloud in front of a crowd (Charles Coe, All Sins Forgiven poet and author extraordinaire!) and how to turn family documents, handwritten letters, and memories into an intergenerational memoir (the fabulous Patricia Reis, Motherlines author).

The final panel was packed with tales from three writers–Kinship of Clover’s Ellen Meeropol, This is How It Begins’ Joan Dempsey, and yours truly–who discussed how we used events in the world and in our own lives to inspire our writing, as well as how we folded current events into existing narratives on which we were working. My presentation focused on the real life events in my town of Southborough that inspired Mr. Clark’s Big Band, and how I worked events such as the Newtown school shooting and the Boston Marathon bombing into my book about a middle school jazz band.

Thank you to author and educator Suzanne Strempek Shea for putting these panels together and for affording us the opportunity to spend an afternoon talking about one of our favorite subjects: writing.

Image credits: Suzanne Strempek SheaSuzanne Strempek Shea via the Bay Path University MFA Program. 

Talkin’ ’bout ‘Mr. Clark’s Big Band’ in Longmeadow, Mass., Oct. 15

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I’ll be participating in a panel of writers at Bay Path University’s 16th Writers’ Day on Sunday, October 15.

Come hear me talk about how events in my town of Southborough, Mass. inspired me to write Mr. Clark’s Big Band, and how I wove events that unfolded during the time I shadowed the middle school jazz band into the narrative. During the 2012-2013 school year in which the book is set, outside events such as the Newtown, Conn. elementary school shooting and the Boston Marathon bombing had direct impact on the students at the Trottier Middle School as well as on their band director, Jamie Clark.

Appearing on my panel, which is slated for 4:10 p.m., are fellow authors Joan Dempsey and Ellen Meeropol.

Stop on by. I’d love to see you and chat about Mr. Clark’s Big Band.

Jazz Night 2017: See the Current Mr. Clark’s Big Band in Person

jazz night 2017 flierWant to hear what Mr. Clark’s current Big Band sounds like in person?

Come to Jazz Night at the Trottier Middle School in Southborough, Mass. on Thursday, June 15 at 7 p.m.

Jazz Night has been the capstone event to the Trottier Big Band’s year for eight years running. It features a guest musician and a sampling of the myriad pieces the middle school jazz musicians have played throughout their year.

During the 2012-2013 school year I chronicled in Mr. Clark’s Big Band, the band played sixteen pieces on Jazz Night even though their lead trumpet player was en route to Children’s Hospital in Boston to have an emergency appendectomy, another trumpet player was out sick, and a bari sax player’s mouth was aching because he got braces on his teeth less than twenty-four hours before the performance. Berklee College of Music professor Walter Beasley, a professional saxophone player who gave private lessons to the Big Band’s lead sax player, was their guest performer. Donations were being collected for the One Fund to help those injured in the Boston Marathon bombing which happened a little over two months before Jazz Night 2013. The notion of “One Boston,” of the area unifying in the face of tragedy provided an unspoken echo to the unofficial conclusion of the Big Band’s own, personal year of mourning.

The final piece the Big Band played in June 2013? The tune”Sweet Home Chicago,” made famous by the Blues Brothers. (You can listen to a recording of that very performance by scrolling down the right-hand side of this web page to the “Listen to the Big Band” widget, and clicking on song number 10.)

Here’s how it’s described in Mr. Clark’s Big Band:

Mr. Clark egged the audience on, turning to face them, raising his hands above his head and clapping in time. The crowd eagerly complied. The song, a monument to attitude and power, was fueled by an entire year’s worth of work during which [the students] plowed through grief and heartache. The resolute clapping and the faith of their band director pushed them to its final blast, which led to a standing ovation. Just when I thought the kids were about to keel over, Mr. Clark had them play the last dozen measures again.

Then came the celebration.

This year’s guest artist is another Berklee College of Music professor, Christine Fawson, a professional jazz trumpet player and vocalist, and the first female artist to appear with the Big Band. Donations will be collected to help a local family, the Fiores, whose children were students of Mr. Clark’s, whose restaurant burned down in a March fire.

Mr. Clark tells me that Erik Morales‘ “Kaleidoscope,” the jazz chart written in Eric Green’s honor and premiered by the Big Band featured in Mr. Clark’s Big Band, is on the Jazz Night set list.